Akebi’s Sailor Uniform (明日ちゃんのセラ服)

SPOILER ALERT: Many spoilers follow, read at your own risk

Anime(2022) Series, Season 1, 12 Episodes, 24 minutes each

D: Miyuki Kuroki
W: Rino Yamazaki from manga by Hiro
M: Kana Utatane
STUDIO: CloverWorks

ANN 7.605
MAL 7.74
IMDB 7.3

Characters:

MC

Komichi Akebi (明日 小路, Akebi Komichi)

The Akebi family

Sato Akebi (明日 サト, Akebi Sato) Father
Yuwa Akebi (明日 ユワ, Akebi Yuwa) Mother
Kao Akebi (明日 花緒, Akebi Kao) Younger sister

SC

See the Wikipedia entry for supporting characters

ANTAGONISTS

None

STUDIO

Akebi’s Sailor Uniform Official Trailer

Please Press Red Arrow

Akebi’s Sailor Uniform is most definitely an SoL (Slice of Life) / CGDCT (Cute Girls doing Cute Things) anime without any doubt.

There is literally no plot and no action. There is not even any angst or heavy drama. If you are a fan of “Non Non Biyori” or “YuruYuri” or “K-on”, then you will love Akebi who is the singular Main Character, where everything that happens centers around her.

Akebi’s mother went to Roubai Girls’ Academy and she wore the Sailor Uniform which has been very traditional in Japanese Middle Schools. Akebi wants to also wear the sailor uniform and so her mother makes her the uniform. But on her first day, she finds out that uniform has been replaced by more grown up suits so she is conspicuous and stands out for all to see. But the school administration allows her to wear the old style because it was at one time, an official Roubai uniform.

Roubai Girls’ Academy is a rather upscale, elite Middle School located out in the country where many of the best family’s send their daughters and many board in the school dorms.

Akebi’s class 1-3 has 16 girls including Akebi and most of the anime focuses on these girls. All 15 girls are given stunning and detail characters. Most of the anime is about Akebi’s adventures with all 15 of her homeroom girls. They are so finally drawn and brought to life that they seem so very real!

And yet, “Akebi’s Sailor Uniform” is not realism by any stretch. Akebi lives an ideal life, with a beautiful loving family, and she literally lives in a fairy-tale Gingerbread house! (What no dysfunctional family? Is that not against some modern rules?) Everything that does happen in this anime is good, really good, and wholesome enuf to twinkle the cockles of your heart.

Warm and fuzzy is the emo spread very thick, and its a wonderful feeling. “If only reality could be like this”. So the charge against the anime of being unrealistic is specious, and nonsense in the face of any anime itself which writes its own rule book on realism.

The first charge by critics is that this anime is Sol and very boring because there is no action. Well there is no accounting for taste. It is what it is. If this is you, then you will not enjoy “Akebi’s Sailor Uniform” and you should stay far away.

The second charge by critics is that of being unrealistic, a fairy-tale. Who doesn’t like fairy-tales? Well once again, if you want Noir and grit, you will not find any in “Akebi’s Sailor Uniform”. Everything in this anime is covered in pixie dust.

But the third charge is lewdness, that the sexuality of “Akibi’s Sailor Uniform” is obvious and unmistakable. This is an outrageous and preposterous charge. There is nothing lewd in “Akibi’s Sailor Uniform” which is one of the most wholesome stories in quite some time. I suppose for some critics, they have to object to something, and should two girls show caring, concern, and affection for each other then that is obviously lewd. This attitude is simply exasperating and is literally preposterous in the most egregious form possible.

Affection among human beings is not necessarily sexual. We have a name for special kinds of same-sex relationships in bromance/sormance, i.e. brother love, sister love. These are real relationships and they can resemble a Romance in intensity, but we distinguish them by using a similar name to Romance in using the “-mance” suffix ending. These kinds of relationships can be just as intense as a Romance, and sometimes even more so, but they are not sexual. As if all things about affection and love were nothing more than sex! Some people have sex on the brain, and filter their reality through some very dark lenses.

Now it certainly is obvious that “Akebi’s Sailor Uniform” does indeed have some voyeuristic elements in its art work. The frame of the story often likes to linger on certain scenes and subjects, such as girl’s feet or legs. This exists in the art work of the manga by Hiro. But we would hardly call this lewd in any sense of the imagination. The framing of the story also likes to linger on the gorgeous scenes of the bucolic countryside where Roubai Academy is located. This work is, after all is said and done, an SoL, slow moving story of 16 girls in Middle School all interacting with Akebi. Framing and lingering is what SoL does, it is almost required by the nature of a Slice of Life story.

And if you enjoy gorgeous artwork in your anime, then you will be fulfilled by “Akebi’s Sailor Uniform” where, as one pundit said, you could take just about every scene from this anime and mount it on your wall as a work of art. It really and truly is stunning, the artwork involved and on display by CloverWorks.

This is an excellent review of this wonderful anime,

Please press Red Arrow in Center

Live well and thrive!

If you enjoy Slice of Life anime, then “Akebi’s Sailor Uniform” is

HIGHLY RECOMMENDED

© 2022 Folwine P. Pywackett mox027.odt

Kaguya-sama: Love Is War – Ultra Romantic – Season 3

Kaguya-sama on Wikipedia

SPOILER ALERT: Many spoilers follow, read at your own risk

Anime(2022) Series, Season 3, 13 Episodes, 24 minutes each

D: Shinichi Omata ( 小俣 真一)
W: Yasuhiro Nakanishi, Yukie Sugawara from manga by Aka Akasaka
M: Kei Haneoka
Studio: A-1 Pictures

ANN 8.049
MAL 9.13
IMDB 8.3 (All three seasons)

Characters:

MC

The Narrator Aoyam (青山 穣, Aoyama Yutaka)

Officers of the Shuchiin Academy’s Student Council

Miyuki Shirogane (白銀 御行, Shirogane Miyuki) President
Kaguya Shinomiya (四宮 かぐや, Shinomiya Kaguya) Vice President
Chika Fujiwara (藤原 千花, Fujiwara Chika) Secretary
Yu Ishigami (石上 優, Ishigami Yū) Treasurer
Miko Iino (伊井野 ミコ, Iino Miko) Financial Auditor

Ai Hayasaka (早坂 愛, Hayasaka Ai) Kaguya’s personal assistant and childhood friend

Tsubame Koyasu (子安 つばめ, Koyasu Tsubame)

SC

List of MC and SC characters

ANTAGONISTS

None to speak of unless the creepy head of Shuchiin Academy might be considered as such

Clicke on red arrow to play

This is actually a trailer for Episode 13 which forms the ending of the current 3 season run. We will concentrate on EP13 because in many ways, it completely upends and recasts the entire story in a new light. The narrator says as much in his opening

Narrator at the beginning of EP13

For most of it’s run across 3 seasons “Kaguya-sama: Love is War”, has put forth it’s central trope or conceit, which was that Kaguya and Miyuki refused to be the first to confess their love to the other, and then they both attempt elaborate plots and plans to force the other one to confess first. All of this story and plot device is a core joke which runs the entire distance of our 3 seasons. This was of course, very humorous, to watch the gyrations and plots unfold, and then somehow misfire, usually with the unintentional involvement of Chika. The unwillingness to confess was usually attributed to Pride, or The Battle of the Sexes.

But then we have this Season 3, Episode 13 The Ultra Romantic of the title. Probably a perfect ending to a wonderful three year run. The narrator’s opening suggests that lovers have an intrinsic, built-in problem, and it’s not about the Battle of the Sexes at all, the quest for power over the other. No! No!

If you go back to the future, to the RAP episode S3 EP5 and the ending ED with English subtitles (turn on the youtube CC)

The ED of S3, EP 5

This ED is not some extraneous attachment at the end, but is core with regard to the ongoing story. You will find that the RAP exactly demonstrates the core principles behind EP13 – Ultra Romantic. Not only is this one of the greatest stand-alone pieces, we have ever seen, but it frames, illustrates, the core switch in the deep dive into Miyuki and Kaguya’s personalities, and dissects what has been going on for the last three seasons. Pure Genius that the 18 year old who authored this ED should fundamentally understand the sudden reveal being presented as laid out in EP13 by the narrator as shown above.

The problem as he suggests is that of fundamental insecurity due to the human facts that all people attempt to hide their true selves in order to obtain love. This hiding is a blockage to intimacy. Its like “If people know the real me, they will be disgusted, and reject me, and I will go without love.” So an individual attempts to become like the person he or she thinks that others want them to become. They pretend, act, put on a false face. They essentially fake it in order to pass the love muster. If one pays attention to the RAP lyrics in EP5 ED, they are telling you what is going down, and why this story is now on fire. This is almost beyond pure genius because it types directly the very ending and the denouement of the three year story arc.

We learn here in EP13, that it is not pride that has kept our two lovers from confessing, but rather something much deeper, and the narrator’s precast is then formally laid out and explained in detail as EP13 progresses.

Kaguya Shinomiya is the daughter of one of the richest and most powerful family’s in Japan, and she has had a rather unloving and distant upbringing and that she must properly represent the Shinomiya family to the entire nation. She is indoctrinated with the typical upper class mentality, that she is the best of the greatest family in all of Japan, that she is an elite better than all other common folk. We have seen this attitude expressed many times, but it is not all negative. This mentality requires action for the sake of a others as a bedrock duty much like the Samurai. We are introduced to Miyuki’s first meeting with Kaguya where in cleaning a pond, a girl falls into the water and begins to drown. No one makes a move, but Kaguya immediately dives into the pond to save the girl. Her resolute action deeply impresses Miyuki.

Kaguya basically looks down on all others, but she doesn’t like this aspect of her self. In fact we learn that she hates this about herself especially when she realizes in being on the Student Council, in observing Miyuki’s behavior, that he is a highly moral and upright man who constantly sacrifices for others. As she falls in love with him, she thinks of him as better than her, that she is a “horrible person” and so her insecurity requires that he confess first to prove to her that he really does love and accept her “true self”.

In a strange way, Miyuki understands something of this about Kaguya, that she is an elite in status far removed from his humble origins. And so his insecurity tells him how could she ever love him. This drives him to be number one in academics above Kaguya’s number 2 position. And so to know if Kaguya really loves and accepts him and his “true self”, he needs her to confess to him first.

This deep dive into the personalities of our main couple is the actual reasons for the core plot device of “Love is War” and not pride as in a “Battle of the Sexes”! In the core of Ultra Romantic, Miyuki pulls off his ultimate ploy to show Kaguya his true feelings and propose a radical offering to her and both now confess to themselves the actual reasons why neither one of them could confess their feelings to the other.

In the core of his staged presentation of hearts, Miyuki proposes that Kaguya join him in attending Stanford. And this really is a proposal of marriage and not a confession of love.

Think forward to Kaguya going to the States with Miyuki. Kaguya doesn’t know anyone in the States, she is not fluent in English, and she would be thousands of miles from her family, friends, and especially her almost sister, Ai Hayasaka. Would she go into the dorms like a common pleb or live alone in an apartment? She doesn’t even know how to take care of herself because Hayasaka has been taking care of her for almost her entire life. The only person she would know is Shirogane. Would she move in with him and live like a married couple? It is not an easy thing to leave your family, friends, and culture, and go to an alien country and people. She would have to depend on Shirogane, and that would be a virtual marriage.

“This is how I feel about you.” Miyuki releasing hundreds of red (and some blue) heart shaped balloons and he now steals Kaguya’s heart. She agrees to go with him to Stanford, and she shows how she feels by kissing Miyuki (which is not shown). At no time do either Kaguya or Miyuki actually confess in words to the other, but neither one of them can not confuse how the other feels about them. They both know that they are now a couple in love, and this is confirmed at the very end where we see them holding hands, Yes! Yes! Ultra Romantic indeed!

This brings the current 3 season run to an end in an exceptionally warm, heartfelt moment, as the artists behind this work have successfully subverted the very core theme which they had established across 3 seasons. Certainly one of the most satisfying endings to any story, a highly ironic ending!

ON TO SEASON 4

Yet not all issues are resolved. Many plot points are very much up in the air.

Will Kaguya’s family allow her to go to Stanford with Shirogane? They will fully understand what this means in terms of a pseudo-marriage. Might they require Ai Hayasaka accompany her?

Would she be accepted by Stanford? This is probably not a problem. If the Shinomiya family were to make a substantial donation, she would be accepted as a student. She has all the same qualifications as does Miyuki, and a Letter of Recommendation from the head of Shuchiin Academy.

But neither Miyuki nor Kaguya fully realize what is in store for them in the States. Stanford is an elite University, and at Shuchiin they are number 1 and 2 top students. But the academic competition at Stanford would be intense, and brilliant minds would be the common standard, a dime-a-dozen. Plus Miyuki and Kaguya would be in a strange and foreign culture and not fluent in English so they would start with some severe impediments. Plus living together might present some problems of their own.

Most of this would probably be a huge shock to Kaguya, much more than for Miyuki. Everyone in Japan knows who the Shinomiya family is and the deference that all others must show to a member of that family, but at Stanford the other students wouldn’t even know much less care about any of that.

Both of them would be just two foreign students at Stanford, nothing at all special or unusual. Most American elite universities accept many foreign students. Plus the crazy California culture surrounding them would be bizarre to them and they might not be able to adjust.

These are huge plot points and unknowns in the future Season 4.

And in addition, the growing (Yu Ishigami x Miko Iino) potential relationship has not at all been fleshed out. Ishigami has now during this cultural festival given hearts to both Tsubame Koyasu (子安 つばめ, Koyasu Tsubame) and to Miko Iino (伊井野 ミコ, Iino Miko). The tradition at Shuchiin is that if you give a heart shaped object to another during the festival, then that is a confession of love, but Ishigami is completely oblivious to what he has done.

Both girls do like Ishigami but that “like” is difficult to categorize as love. Ishigami and Iino are constantly fighting in the Student Council, and Tsubame’s encouragement of Ishigami is what she does for most others. She is a high energy, high spirited girl, who cares deeply, and shows that care. She is a Rhythmic Gymnast, vice-captain of the cheer squad, and she has been concerned for Ishigami.

Ishigami gave her a cookie heart during the Cultural Festival, and she answered him by coming back and asking for more time before she responds. Ishigami doesn’t realize he has confessed, and so is confused in this conversation, and gives her all the time she asks for.

Ishigami also gives a heart shaped piece of jewelry to Miko which he found in the hallway. This is the piece that Kaguya lost, but Ishigami doesn’t know anything about that. Thinking it is lost and found, he gives it to Miko who is first shocked, and then reconsiders.

A compare and contrast between Miko and Tsubame is very interesting because they are both in one way or another, involved with Ishigami, but they are very different personalities.

Miko is rigid in her fixed belief system, and she holds herself and others to the highest standards. She is not very flexible, and the entire world is black and white, there are no shades of gray. We know that she harbors soft, Romantic feelings, but those feels are never expressed to others. She constantly fights with Ishigami over little and big things. She recognizes, and correctly, that Ishigami lives way below his potential, and that really upsets her, that he does not strive for excellence. She is not fully aware of her own interior feels but we saw a hint of such during the Sports Festival where Ishigami was running for the Cheer Squad. Under her breath, we hear her encouraging Ishigami. She has undefined feelings for him of which even she is not fully aware.

Tsubame on the other hand is an absolute sweetheart who would never hurt anyone. She is high energy and her feels are usually on the intense side. She is not rigid or absolute in her beliefs, and she is not judgmental of others. This contrasts her sharply with Miko.

Which relationship would be best for Ishigami and for each other?

Ishigami is something of a slacker and a loner, and its implied that he performs way below his abilities. We know that he has a very high standard of honor for himself.

He absorbs both administration and student abuse and isolation in the affair at the end of S2 where some scumbag shows off compromising pictures of a girl that Ishigami knows in a casual fashion, and our hero physically attacks the scumbag, actually driving him out of the school. For this he is ostracized, but he refuses to explain his actions or to apologize because that would ruin the reputation of the girl. So he suffers the consequences of protecting a girl who hates him for driving her boyfriend away. It is a no-win situation, but the Student Council investigates and discovers what went down in the affair, and Miyuki rescues Ishigami from his isolation and censure. This is the dumb-ass affair.

The Famous GO TO HELL, DUMBASS scene

For an in depth look at this fantastic story arc, please see this video

https://www.youtube.com/watch?v=3E7M0QsFe-8
The Ishigami S2 story arc (5 minutes)

Miko has some unrecognized feels for Ishigami which she has not acknowledged or even admitted to herself. This then is for the future of Kaguya-sama Season 4.

Miko makes a much better match for Ishigami than does Tsubame. He needs a harder edge in a relationship which Tsubame would not be able to deliver. And Miko would need some moderation in her absolutist views that Ishigami could provide. A (Ishigami x Miko) ship could be beneficial to both parties provided that they could grow together which is what true love is all about.

In summary, the three seasons of Kaguya-sama would have to rank as a masterpiece of story telling. Not only is the work riotously, belly-thumping funny, but the artists behind the work can do gut-wrenching, high emotional drama as the Ishigami S2 story arc so famously illustrates.

And in addition, their S3 EP13 ending was exquisite, beautiful, and brilliant as it undercut and subverted the entire premise of the story which they had developed across 3 seasons. Their ending is ironic in the extreme as it takes a deep dive into Kaguya and Miyuki and surfaces with a completely new explaination. Love’s contraditions and fears undercut intimacy and love and render lovers insecure, will I be loved if I truly confess my “true self”?

As of this writing (2022-8-15), this observer is not alone in this opinion. On MAL, Kaguya-sama is rated at 9.13 which places it in a tie vote with “Fullmetal Alchemist:Brotherhood” as the best anime of all time. Of course the 9.13 for Fullmetal is drived from 2,954,662 votes where Kaguya’s 9.13 comes from 625,006. So there is that, and no one knows how the rankings will hold moving forward into the future. And any ranking system of a work of art is pure opinion anyway, and that is subject to change as trends and fashions in art change.

But in the opinion of this Pywackett Productions, ink, Kaguya-sama: Love Is War – Ultra Romantic – Season 3 is one of the very best stories we have ever enjoyed. It is a masterpiece with no qualifications. Don’t miss this one, dude!

Live well and thrive!

HIGHLY RECOMMENDED

© 2022 Folwine P. Pywackett mox026.odt

Kimi ni Todoke: From Me to You (君に届け)

Click Red Arrow to Play

SPOILER ALERT: Many spoilers follow, read at your own risk

Kimi ni Todoke: From Me to You(2009-2011), Anime 2 Seasons, 38 Episodes, 24 minutes each

D: Hiro Kaburaki
W: Tomoko Konparu from manga by Karuho Shiina (椎名軽穂, Shiina Karuho)
M: S.E.N.S.
Studio: Production I.G

ANN 8.340 S1 8.254 S2
MAL 8.000 S1 7.990 S2
IMDB 7.800 S1-S2

Characters:

MC

Sawako Kuronuma (黒沼 爽子, Kuronuma Sawako) Romantic Lead, lover of Shōta Kazehaya
Shōta Kazehaya(風早 翔太, Kazehaya Shōta) Romantic Lead, lover of Sawako Kuronuma
Ayane Yano (矢野 あやね, Yano Ayane) Friend to Sawako Kuronuma
Chizuru Yoshida (吉田 千鶴, Yoshida Chizuru) Friend to Sawako Kuronuma
Ryu Sanada (真田 龍, Sanada Ryū) Friend to Shōta Kazehaya, lover of Chizuru Yoshida
Kento Miura (三浦 健人, Miura Kento) Lover of Sawako Kuronuma, possible lover of Ayane Yano

ANTAGONISTS

Ume “Kurumi” Kurumizawa (胡桃沢 梅, Kurumisawa Ume) Lover of Shōta Kazehaya, enemy and bully to Sawako Kuronuma


Kimi ni Todoke: From Me to You (君に届け, Kimi ni Todoke) Trailer

“Kimi ni Todoke: From Me to You” is an absolutely lovely work of great sensitivity and warmth.

This is basically a High School love story between a very shy girl, Sawako Kuronuma (黒沼 爽子, Kuronuma Sawako), and the most popular boy in that school, Shōta Kazehaya (風早 翔太, Kazehaya Shōta).

You have seen the basic plot many times, but this anime version of MS Karuho Shiina’s story captures the real angst and hurt and feels of what it means to fall in or be in love. The story also explores many different kinds of relationships, and emphasizes the importance of friends and friendship itself. We have May-December loves, jealous loves, triangles, overcoming debilitating loneliness, speaking directly and often, in order to avoid misunderstandings, overcoming shyness and mean bullying in the name of love so called.

In the two seasons of its run, we traverse from HS year 1 to HS year 3 and graduation, and even some followup after University.

The happiness and warmth of love is mixed in with sadness in saying goodbye as everyone goes their separate ways after graduation.

If you love Romance stories that feel like real love stories, we would highly recommend this simple yet very wonderful Romance.

Live well and thrive!

HIGHLY RECOMMENDED

© 2022 Folwine P. Pywackett (mox025)

We Can’t Find Magnetic Monopoles by Dr Brian Keating

Click on Red Arrow Above

Excellent review of the missing Monopole problem in Physics!

Physical theory predicts the existence of Magnetic Monopoles, yet they have not been found.

If you review the image above, the Red arrow is the flow of electricity, and the Blue lines are the Magnetic flux lines which a flowing electric current will produce. The Blue arrow is pointing North, all along it’s field line. There is no North pole. The opposite direction to the Blue arrow would be South. There is no South pole.

If you build an electro-magnet by wrapping the line of electricity (I), you will build a magnet with a North and a South pole such as

Electro-magnet

The North Pole is at the top, and the South Pole is at the bottom, but there is no pole. The pole is created by the flow of electricity which generates what you could consider is the flow of the magnetic lines of force. The arrows of magnetic force are always pointing North all along the magnetic line, and likewise for its opposite direction which is pointing South all along its line. There is no pole.

Physics seeks for a symmetry between electricity which does have a positive and negative charge independent of each other, and magnetism which does not. The symmetry is broken in our reality.

After EP24 FINAL REVIEW “The Aquatope on White Sand” “Shiroi Suna no Akuatōpu” (白い砂のアクアトープ)

After EP24 FINAL REVIEW “The Aquatope on White Sand” “Shiroi Suna no Akuatōpu” (白い砂のアクアトープ)

SPOILER ALERT: Many spoilers follow. Read at own risk.

The final episode 24 of Aquatope was the best ending to a story in recent memory. How much story they told and resolved in just 23 minutes and 40 seconds! Some anime cannot even tell that much story in a whole season!

MS Yūko Kakihara is the author of Aquatope, and many may remember her as also the author of Iroduku: The World in Colors(2018) for P.A.works in which color was the central plot point. It is then no stretch to think that color in Aquatope would have meaning or sense.

MS Kakihara opens her story in a most unexpected fashion, with a history of Kukuru’s hair styles. First a baby with no hair ornament, a little girl with a green bulb ornament on a single left braid, a young teen with a fish ornament on that single braid, and then her shell ornament on the braid as we have seen her for the most part. There is one more change of great significance at the very end. Hair styles for women are sometimes a personality marker for maturation or growth as they are here presented, and of course, Kukuru’s hair is blue as are her Mother and Father.

Blue would then be a trope for Kukuru. During the very ending from run time 21:24 through 23:08, Kukuru does the first word play (1): on Fūka’s name using the poetic allusion of “snow fluttering on a sunny day”. As snow is white, Kukuru transitions the allusion to “bleached, white coral on a white sand Okinawan beach”, perfect for Okinawa. White would then be a trope for Fūka.

Blue as in Aqua and White as in Sand are literally in the Title, “The Aquatope on White Sand: The Two Girls Met in the Ruins of Damaged Dream”!

Once the hair styles are quoted in detail, we begin the process of stocking The White Sand Dome by the entire staff which ends at run time 4:59, story dated as March 2, 2023.

This is simply one of the wonders of Aquatope which fascinates on many levels. We readily reacted to the technical aspects of actually doing an Aquarium stocking which is so well done here. Some might criticize the story, that we are now 5 minutes in, and all we have done is mark hair styles, and fish stocking. Where is the story? But this misses a serious point.

MS Kakihara’s story is that people working together create value as the young people in this segment indeed do.

Then on March 19, 2023, we open The White Sand Dome to host one of the most beautiful weddings either fictional or real which we have ever witnessed. This beauty even reduces Miura, the wedding planner, to tears! She then congratulates Kukuru(B: 2002-10-8) who at 20 years of age has produced a stunning success. (Fūka was born B:2003-5-17, she is actually the little sister!)

The following day, March 20, 2023, The White Sand Dome is opened to the public, and is a major popular success! But Kukuru is still unsure! Gama-Gama was fun, but Tingarla not so much, and she asks for advice from her Grandfather. In one of the most trenchant short stories, Ojii confesses to Kukuru that Gama-Gama was not always fun, but his advice is to work hard at all times, moving forward, and then sometimes you will be rewarded. Real life isn’t all fun and games, and defeats and reversals are difficult to avoid, but “Do what’s right, and everything will work out.”! That is real truth!

When Kukuru asks what should she do, Grandpa says look within yourself and you will see your Destiny.

Visions are not Magic Realism. People do have real visions, and the Vision Quest is a staple in many cultures. Abandon Fatalism, one’s fixed Fate in life, and embrace your vision for your Destiny ahead, because one sets their own Destination in life. Fate is not Destiny! Fate is your future fixed by the gods and cannot be avoided! But Destiny is an individual choice based upon the vision of the future which one arrives at from the process of a Vision Quest. The words “destiny” and “destination” originate from the same Latin root, “destinare”.

And then we finish with a vision of Kukuru’s lost family and Fūka within the vision is clearly included as a member of Kukuru’s family.

We are now 16 minutes into the ending, and yet nothing has been resolved.

We now see Fūka fly off to Hawaii for a two year work-study with Kaoru, and we enter a 2 year time skip.

Blue definitely refers back to EP 21 “Dreams of Blue Turtles” and the very denouement of Aquatope where instead of Magic Realism, we are told a story of hard core realism in which the very real magic of Mother Nature’s birthing of life into new life hits square in the face under a full moon. The little guys popping out of the sand were precious indeed!

It is here, on Yameru na Island after witnessing the miracle of life where new dreams begin to crystallize for both Kukuru and Fūka. ( The fictional “yameru na” translates into English as “Don’t quit! Kukuru and Fūka are literally on an Island telling them not to quit!!!)

Kukuru will return and complete her assignments, and Fūka is energized by Ocean life conservation.

After the two year time skip, it is now April 1, 2025. The story opens with a clear, intentional focus shot of Kukuru’s new hair style, double braids, tied in the back with a 5 point starfish. Kukuru has become a star at Tingarla and there is even talk about her becoming the Director!

Fūka and Kaoru fly back to Okinawa. Kukuru messages Fūka to meet her at their shrine. A Blue paper airplane appears out of the woods, and wraps around a running Kukuru, and then they embrace. Fūka says,

The Blue paper airplane is actually constructed out of one sheet of paper, Blue on one side, and White on the other. That can be clearly seen as the plane passes Kukuru,

In the very last scene, with the girls walking away, we see that the Starfish ornament in Kukuru’s new hair style, is now an actual star.

In the beginning, Aquatope throws a curve ball, and seems to hint that Magic Realism will be used, and yet, no magic ever changes anything, it’s hard core realism all the way down, and of course, that is the most wondrous abstraction of all. The only thing the Kijimuna ever does is eat the offerings, and steal Fūka’s Straw hat! The Real Magic of “The Aquatope on White Sand” is the vision thing, that all human beings are fully capable of doing what Kukuru and Fūka have done.

When your dreams are damaged and fail, then that is the time to dream new dreams, and set a new destination in your life, a new destiny!

The Aquatope on White Sand (白い砂のアクアトープ, *Shiroi Suna no Akuatōpu”), subtitled “The Two Girls Met in the Ruins of Damaged Dream”

This is beginning of the end of the story.

Highly Recommended!!!

A technical analysis follows as to the linguistic basis for the ending word play and it’s involvement with color.

Both Kukuru and Fūka engage in word play (1): and (2): which establishes the exact nature of the relationship that they share. Kukuru says (1): and Fūka counters with (2):! What is hidden and implicit in this exchange is the author speaking (3): where she puts Kukuru and Fūka together as FAMILY which was visually established earlier by the vision which they both shared.

Kukuru says (1): ( Fūka = {wind, flowers, coral})

Fūka says (2): (Kukuru = {soul = (kokoro = {heart, mind, spirit, soul}) } )

Implicit (3): FAMILY = ( {Fūka, Kukuru} = {wind, flowers, coral, soul} )

Fūka clearly confirms this by saying, “I’m home, Kukuru.”

Language definitions:

COMMUNICATION: Sense → Sound → Text

LOCATION: Sound and/or Text used as the Name relationship to locate. Sense is of no importance with regard to names. The use of a name to locate is the entire sense of a name.

Modern convention is “Text:” as in LOCATION: above. This sentence uses the Name Relationship, rather than the Sense Relationship.

In Tokyo Japanese, or Standard Japanese, Fūka’s Language kukuru くくる, is a verb which means to tie or bind together, hence to tie-dye silk, Batik style. kokoroこころ, is a noun which means heart, mind, spirit, and by extension soul.

These two words have an extreme symmetry both in text and in sound, but quite different meanings as to sense. The kkr consonants match exactly and the vowels uuu to ooo!

In the Okinawa Japanese Dialect, Kukuru’s language kukuru くくる is the same both in Text and Sound with Standard Japanese, but as to sense takes on the meaning of kokoroこころ, a noun which means heart, mind, spirit, and by extension soul.

I have not been able to find out why this is so. The extreme symmetry might indicate an interesting history in Okinawa for the two words.

The very ending dialog in EP 24 between Kukuru and Fūka explains in detail the nature of their relationship with elaborate plays upon words.

The script reads:
21:24 Fūka: “I’m home, Kukuru”
21:54 Kukuru: “Hey, Fūka…”
21:57 Kukuru: “I never knew your name meant “Snow”.
22:55 Kukuru: “Yeah?”

23:00 (Picture of bleached Coral on the beach)

Fūka: “Yeah. “wind flower” refers to the Snow that flutters on a sunny day.”

[Fūka’s name 風花 are Kanji nouns literally meaning [風 wind] and [花 flower] and by poetic extension like Snow fluttering in the air on a sunny day. Anime is full of this scene where we see Cherry Blossoms in the Wind falling to the ground like Snow Fall. The anime Hyouka(2012) in its ending scene of EP 22 “The Doll That Took the Long Way Around” has as it’s ending Eru Chitanda who positions herself in front of a giant Cherry Blossom tree, so that Hotaro Oreki sees her backstopped by the tree when the wind picks up and it does indeed look like a snow flurry! Beautiful scene by the way, as only KyoAni could create]

23:05 Kukuru: “Fūka’s is a perfect name in Okinawa, though.”
23:08 Fūka: “Is it?”
23:08 Kukuru: “This island’s made of wind, flowers, and coral

Kukuru is making the first play upon words, “wind flower” is like Snow Fluttering down is like white, bleached Coral on the White Sand of an Okinawan beach. She adds coral to Fūka’s poetic allusion [Fūka = {wind, flowers, coral}]

23:16 Fūka: “Wind, flowers, coral,…
23:19 Fūka: “and Soul.

Fūka here uses the word kukuru くくる in its Okinawan sense of “heart, mind, spirit, soul and not as a name. Fūka makes the second play upon words by adding Soul to the list] [Kukuru = {soul}] This results in [Fūka = {wind, flowers, coral, {Kukuru = {soul}} }] Linguistically, Fūka adds Kukuru to her own name.

The third word play is hidden, but implicit.

In the First word play by Kukuru, she adds “coral” to the poetic allusions. In the Second word play by Fūka, she adds “soul” to the poetic allusions.

What then is the Third word play, and who does it?

In the Tokyo Japanese sense of kukuru くくる, Yūko Kakihara (also author of “Iroduku: The World in Colors” 2018)” steps into her own story, and has both Kukuru and Fūka, kukuru each other’s names!!!

This is brilliant, and comes from the nature of the observer or narrator in a story. We were made aware of this by the following comment:”One thing that I think many commenters on the show have missed is that the majority of the story is (essentially) seen from the viewpoint of Kukuru. This is especially true once we move from Gama Gama to Tingarla. If we see little of her boss (and what he does), it is because Kukuru (wrapped up in herself) does not see what he does — and does not seem to care much about finding out. It is NOT that he does no work himself. While Kukuru is not a “narrator”, a lot of what we see is equivalent to experiencing the viewpoint of an unreliable narrator. Of course, some parts of the story reflect Fuuka’s perspective — and others may be neutral — but it is a mistake to think that what we see of Kukuru’s work experience is anything like an objective representation of what is actually going on.” – Michael Kerpan

We had missed this entirely, but then the ancient words of Mr. Pywackett’s ancient Comp Lit professor suddenly came to mind. He always stressed that a story has an Eye, a point of view from which it is being told. The Narrator can be anyone, a character or characters in the story, an abstract voice explaining the story, or even the author stepping into his or her own story.

Here the author steps metaphorically into her story, and implicitly explains that both Kukuru and Fūka have “kukuru’ed” each other’s names together. In Tokyo Standard Japanese, kukuru くくる, is a verb which means to tie or bind together, hence to tie-dye silk, Batik style. The end result of the word play is that Kukuru and Fūka are now bound together like tie-dyed silk. This third play extends outside the story, and is never stated in words, but can be observed as such from the word play itself, i.e. both girls are binding self to the other. Kukuru binds Fūka to Okinawa, Fūka binds Kukuru to herself, and Yūko Kakihara literally kukuru’s Kukuru and Fūka together!

( Fūka = {wind, flowers, coral} UNION Kukuru = {soul} ) produces the Result Set of FAMILY = {Fūka, Kukuru} = {wind, flowers, coral, soul}.

This was actually shown earlier, in the vision, where Fūka is included in Kukuru’s family!

The two girls at the very end, have become sisters and they belong together in and to a family!

Then to finish one of the very best endings in anime, the Kijimuna launches his second Blue/White Paper airplane which fly’s up into a deep Blue Sky (Kukuru) filled with billowy Cumulus White Clouds (Fūka), heading towards the Infinite Zenith of the stars (The Starfish) as Kukuru’s hair ornament.

How indeed sweet, this ending is!

MS Yūko Kakihara is a brilliant and master story teller, and certainly deserves far more recognition within anime fandom than she has received.

© 2022 Folwine P. Pywackett (mox024)

What Really is Everything?

Interesting Science video about fundamental Physics by “History of the Universe”

Click on Red Arrow above to play
Standard Model of Elementary Particles Anti

“In this video I would like to discuss one of the great unsolved problems in fundamental physics, the famous vacuum energy catastrophe (also known as the cosmological constant problem). What makes the problem so fascinating is that it weaves together two of the most successful theories of the 21st century, quantum field theory and general relativity, and demonstrates that something has gone catastrophically wrong in our attempt to understand the origin of our expanding universe. The reason that we know something has gone horribly wrong is because our most successful theory of physics predicts that the universe should be doubling in size every millionth of a trillionth of a trillionth of a trillionth of a second! But this is clearly not happening. In fact, our best experimental observations suggest that the universe is in fact doubling in size every ten billion years. So what has gone wrong? And why? In order to answer this question we are going to need to take a journey through some of the most exciting ideas in modern physics, from the smallest quantum fluctuations of the vacuum, to the mysterious dark energy which is driving the accelerated expansion of the universe.” – Physics Explained

This video is very mathematical in detail, but it refutes the conclusion of “Nothing is Real” of the previous video!